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الصورة وتجليات الحداثة في شعر احمد مطر

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dc.contributor.author صالوح عبد السلام عبد النبي, د.نجاح
dc.contributor.author بلال الأمين محــمد, د. أحمد
dc.date.accessioned 2020-12-22T21:00:00Z
dc.date.available 2020-12-22T21:00:00Z
dc.date.issued 2020-10
dc.identifier.issn 2518-5845
dc.identifier.uri http://repository.uob.edu.ly/handle/123456789/1398
dc.description.abstract The poetic image has attracted great interest among students of Arabic poetry. It is the poet’s tool that governs his artistic personality in expression, and it is also an artistic measure for the creator who produced it, and in the light of the modernization of Arabic poetry, the poem has undergone a radical transformation at the level of artistic construction. Change the poet’s path towards the freedom of absolute creativity and commitment to love, developed relationships between the elements of poetic discourse production. The graphic style was one of the most prominent of these actors that affected poetry semantically and aesthetically, after the poetic image turned from direct declarative expression into a suggestive expression that believed in subjectivity and abstraction, which prompts the search for its deep significance, and the poet (Ahmed Matar) was not a heresy from all of that. In this research, he sheds light on the features of modernity in his poetry and their effect on the image. en_US
dc.language.iso other en_US
dc.publisher University of Benghazi / Faculty of Education Almarj en_US
dc.relation.ispartofseries Journal Libyan Global;49
dc.title الصورة وتجليات الحداثة في شعر احمد مطر en_US
dc.type Working Paper en_US

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